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   Issue Contents : : Letters : : Page [ 1 2 3 4 ] Artwatch Revisited       I am writing to you as a member of ArtWatch International, founded by
         James Beck '52. In your article, "Conservation
         Wars" (fall
         2002), you stated that Beck was "unwilling to face those who bear
         the brunt of his criticism." When I questioned Jim about this,
         he said he had written to you explaining that he would be delighted
         to debate the entire Oberlin team of conservators at any time, provided
         he was not constrained in the expression of his opinion. I have not
         seen his response in the Alumni Magazine. As an artist and former art
         critic, I am convinced that conservators and restorers have had the
         best of intentions for centuries, but as in medicine, "state-of-the-art" means
         the best to date, not ultimate or perfect. Original works of art, dirty
         or not, are irreplaceable. Cleaning methods continue to change. Current
         conservators frequently condemn irreversible attacks on the surfaces
         of venerable works of art by former conservators. I support a cautious
         approach to cleaning. Jim Beck has been invited to be a keynote speaker
         at the annual meeting of the American Institute for Conservation in
         Portland, Ore., from June 9 to 14, 2004. He continues his battle to
         prevent use of a "wet" method to clean Michelangelo's
         David in Florence. He wrote an article in The Wall Street
         Journal about
         this and has been featured in a New York Times article, "Question
         for David at 500: Is He Ready for Makeover?" by Alan Riding in
         July. It is my hope that ArtWatch will continue to police the efforts
         to conserve important works of art. 
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