For more photos, visit www.oberlin.edu/oam.
(J) Members of the Class of 2010 at the Senior Supper. Photo by Tony Morrison Photography
(K) Tom McDonald ’86, a frequent Commencement/Reunion attendee, claims his usual spot at the ’Sco pool table. Photo by Jeff Hagan’86
(L) Maestro Robert Spano ’83 leads a special Commencement Orchestra concert, performing Brahms Symphony No. 2 in D Major, Op. 73. Photo by Michelle Wong ’11
(M) The Class of 2010 banner celebrates Oberlin’s favorite resident rodent, the albino squirrel. Photo by Dale Preston ’83
(N) An exhibition of the work of graduating visual and studio art students in the Fisher Gallery. Photo by John Seyfried
(O) Caitlin Roseum ’11 prepares pasta for the all-OSCA (Oberlin Student Cooperative Association) picnic in the kitchen of Old Barrows. Photo by Jeff Hagan ’86
(P) Amina Hassan at her graduation. Photo by Jennifer Manna
(Q) Anthony Osei ’09 performs in a student production of Black and Blues, an original theatrical work created and directed by Oberlin Visiting Assistant Professor of Theater Justin Emeka ’94. Black and Blues is a theatrical collage that uses drama, movement, music, poetry, and dance to explore the blues as a feeling that transformed “Africans” into “black Americans.” With choreography by Jessica Judson ’10 and James Pressley ’12, the production draws on the work of prominent African and African American writers, as well as Emeka’s own writings, to explore the legacy of the blues in America. Photo by John Seyfried
(R) Women’s Rugby Alumni Game. Photo by Sam Abrams ’12
(S) Contact Improv dancers Elizabeth Weinstein ’12 and Ann Cooper Albright, Oberlin professor of dance, perform during the weekend. Oberlin’s dance program celebrated its ties to the Contact Improvisation movement with a yearlong series of events in the 2009-10 academic year, culminating in a new publication released in the spring, “Encounters with Contact Improvisation,” a collection of writings by undergraduates and their teachers about the role of Contact Improv in their lives. What started as a winter term project in 1972 has evolved into a modern dance form taught around the country. Photo by John Seyfried