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FIELD #98

(Spring 2018)
FIELD 98  
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Contents

Lee Upton

Why Am I Not Invited to Your Party?
The Sunflower

Bob Hicok
America: a primer
Faith
Two sides of a coin
Diane K. Martin
Two Bits
Michael McGriff
Wig
Libby Burton
Your Mother: Franz Kafka. My Father: A Hole Ripped in the Night.
Intimacy
Daniel Biegelson
We Move in Abundance
We Live in an Unknown Sea
Talvikki Ansel
16 Stanzas in February
Mark Irwin

Dissolving Parable
Open

Ales Steger
(translated by Brian Henry)
He writes
Aimee Sands

The longer we stay the deeper the knowledge
Verge

Steven Chung
Forgery
Bad Children
Heather Sellers
Peninsula
Jennie Malboeuf
First Mirror
Jeff Wasserboehr
Tea with Milk
Elisabeth Murawski
Number 156
Hopkins' Room
Ray Amorosi
Sparta
Lee Sharkey
Kollwitz: The Work
Allison Adair
When Horses Turn Down the Road
Ralph Burns
Vinita, Oklahoma
The Valium Song
Robert Thomas
Sonnet with Backpack and Jack
Sonnet with Mozart and Bear
Mark Wagenaar
Heat Wave (Poem for Novica Tadic Perhaps)
The Flight of the Astronomers
Jane Huffman
Double Sonnet
Diane Louie
Visiting Gertrude Stein in Pere-Lachaise
Set in Motion
Ute von Funcke
(translated by Stuart Friebert)
Postwar Fragment (3)
Postwar Fragment (4)
Molly Spencer
Conversation with Shower and Vestibule
Conversation with Distance and Shaking
Conversation with Windows and Green
Sandra McPherson
Runneth Over
Jackson Holbert

James Madison

David Baker   Early May
     

Poetry 2017: Four Review-Essays

Kazim Ali
"I Would Give a Sacred Mountain a Wedgie" (Tommy Pico, Nature Poem)
Martha Collins
Underspeak (Wesley Rothman, Subwoofer)
Pamela Alexander
Poodle Tails and Empty Chairs (Adam Giannelli, Tremulous Hinge)
Mark Neely
Dreaming of Heroes (Jonathan Blunk, James Wright: A Life in Poetry)
 
From the Archives
     
David Young   Translating America (Spring 2005)

 

 

TWO SIDES OF A COIN

Using the Freedom of Information Act,
I made the sun tell me what it’s thinking—

I am a busy busy busy busy bee—

and told it about skin cancer,
which brought home a point
most of us know but forget:

even when the sun wants to,
it can’t cry, the moon can’t cry,
whales sound as if they’re crying
when they’re not, and people are alone
in crying at the sad movies we make
to make us cry at sad movies. 

We’re also the only creatures
who remember going to the beach
with a pail that had a picture
of a little girl
at the beach with a pail,
who had a similar pail
and a little girl all her own,
and so on, infinity
digs and digs its holes
and the credits run
and we sniffle and adjust
to the light of reason
we have every reason
to fear doesn’t want us
and will never leave us alone.

—Bob Hicok

Copyright © 2018 by Oberlin College. May not be reproduced without permission.




YOUR MOTHER: FRANZ KAFKA. MY FATHER: A HOLE RIPPED IN THE NIGHT.

When we met the hot song on your lips did not stand a chance
against the things I wanted to do to you, things that would damage

your person in delicate, irreparable ways. Now Wednesday
evenings are filled with quiet cars caressing the curb, dead voices of distant

children, some hot hum of normalcy. And the dress I wore
was this weary world. But in the future of our inevitability,

there are broken shopping carts. And you have buried the cat’s bones in the yard,
so when I move to admire the gazebo, to touch the unruly lavender bush

and break its fruit to pieces, I cross a delicate death and arrive unscathed.

—Libby Burton

Copyright © 2018 by Oberlin College. May not be reproduced without permission.


 

HEAT WAVE (POEM FOR NOVICA TADIC PERHAPS)

It was so hot people were unzipping

their people costumes

even the phantom limbs had melted
 
the cats were on strike

the postman said it’ll be the short pants today

I was assigned to the dead letter office

he said now count the years between names

count the miles between towns

silent as shipwrecks

when I finished snow was falling through the roof

through the ribs of the dead

the letters were fed to prisoners

he said otherwise they will outlast this country

the only lasting monument to our lives

—Mark Wagenaar

Copyright © 2018 by Oberlin College. May not be reproduced without permission.


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