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February 19, 2003
For Immediate Release
Photos

8 p.m.
Wednesday, Friday & Saturday,
March 12, 14, & 15
2 p.m.
Sunday, March 16

Hall Auditorium


Central Ticket Service
General Admission:
$12 public
$8 senior citizens
$8 faculty/staff/alumni
$5 all students

24-hour ticket reservation line:
(440) 775-8169.

Located in the lobby of Hall Auditorium, 67 N. Main St. between the Oberlin Inn and the Allen Art Museum.

Open 12 to 5 pm,
Monday - Friday.

Media contact:
Alice Iseminger
(440) 775-8171

Oberlin College
Theater and Dance Program
67 North Main Street
Oberlin, Ohio 44074-1191

HANDEL'S ALCINA, AN ENCHANTING FANTASY OF LOVE, HONOR, AND REVENGE, TO BE PERFORMED BY THE OBERLIN OPERA THEATER
IN HALL AUDITORIUM MARCH 12, 14-16
Conducted by Jeannette Sorrell ’90,
Founder and Music Director of Apollo's Fire

For Tickets call: 440-775-8169

OBERLIN, OH–The acclaimed Oberlin Opera Theater presents George Frederick Handel's three-act opera Alcina, opening Wednesday, March 12, at 8 p.m. in Oberlin College’s Hall Auditorium. Since Alcina's 1735 premiere at Covent Garden, the richly expansive music, emotional range and power, and fantastical mysticism of this opera have brought it attention as one of Handel's greatest works. Now the Oberlin Opera Theater—praised by the Plain Dealer for its remarkable sense of adventure—brings a spectacularly fresh, contemporary style to this classic favorite. Epic romance and exquisitely passionate music are framed by striking spectacle, darkly stylized sets, and the modern-day magic of 21st-century innovation.

The guest conductor is Jeannette Sorrell, '90, former faculty member of the Oberlin Baroque Performance Institute and founder of Apollo's Fire, the Cleveland Baroque Orchestra. Stage direction is by Jonathon Field, opera director and assistant professor of Opera Theater.

Alcina—which will be sung in Italian with English supertitles—will be performed at
8 p.m. Wednesday, Friday, and Saturday, March 12, 14, and 15, with a 2 p.m. matinee on Sunday, March 16. Hall Auditorium is wheelchair accessible, parking is free, and hearing enhancement is available upon request. Alcina is sponsored by the Oberlin Conservatory Opera Theater Program and is produced in cooperation with the Oberlin College Theater and Dance Program with support from the Louis C. Sudler Fund.

Synopsis
The sorceress Alcina lures heroes to her enchanted island and transforms them into rocks, streams, trees, and wild beasts. Her latest captive is the crusader Ruggiero, as yet untransformed. The opera begins with the arrival of Ruggiero's betrothed, Bradamante (disguised as a man), and her governor Melisso, in search of the captured Ruggiero. Also on the island is the young nobleman Oberto, searching for his father. Alcina's sister Morgana is attracted to the disguised Bradamante, to the jealousy of her lover Oronte. Ruggiero, with no memory of the vows he has made to Bradamante, seeks to persuade Alcina to bewitch his former love. He recovers his memory, however, with the aid of Melisso and a magic ring. Ruggiero and Bradamante destroy the magical power of Alcina and Morgana, restoring all of Alcina's previous victims to their true forms and reuniting the young nobleman Oberto with his long-lost father. (From www.grovemusic.com and www.naxos.com.)

Production Notes
Combining elements of traditional, historically informed performance techniques and modern dramatization and theatrical technology, this production of Alcina will bring the opera's classic themes to a contemporary audience. Director Field explains: "The approach we are taking, both musically and dramatically, will ensure that the baroque conventions are kept intact, while the piece still is accessible to modern audiences." Vocal Coach Alan Montgomery points out that while the small orchestra is composed of modern instruments, Conductor Sorrell will use period-appropriate performance techniques, including "a lighter approach to singing and a very dynamic, dramatic accenting of the Italian text." Field's vision for the opera involves a combination of newer theatrical technology and period staging. Damen Mroczek's intimate set is a stylized view of the island, with a contrastingly realistic model of Alcina's castle projected via live video feed for a dreamlike backdrop. The striking power of this design frames Chris Flaharty's romantic, evocative costumes, which anchor the opera in a tangible reality and in the tradition of fantastical love stories.

Performers and Production Team
Alcina features Oberlin Conservatory students double cast in the principal roles. The principals alternate performances, with one cast appearing Wednesday and Saturday, and the other Friday and Sunday. The cast includes the sorceress Alcina (Vera Savage ’03, Rachel Wandrei '03), the knight Ruggiero (master’s-degree candidate Liora Grodnikaite, Rebecca Ringle ’03), his betrothed, Bradamante (Sara Fanucchi ’05), Alcina's sister, Morgana (Malia Bendi-Merad ’03, Teresa Wakim '03), the young nobleman Oberto (Sarah St. Germain ’04, Amy Helfer '03), the army commander Oronte (David Kurtenbach '03), and Bradamente's guardian Melisso (Ferris Allen ’04). The ensemble, singing in every performance, includes Jason Bayus '04, Doug Benoit '05, Colette Boudreaux '06, Todd Boyce '05, Meagan Brus '05, Austin Clark '05, Jennifer Forni '06, Emily Goddard '05, Robin Hok '04, Kathryn Leemhuis '05, Kate Lerner '07, Mason McCamey '07, Kira McGirr, Damien Pass '06, and Peter Sherman '06.

The Oberlin production team of professional staff and students includes Coaches Montgomery, assistant music director of opera theater, and Daniel Michalak, vocal coach/rehearsal pianist; Assistant Director and Stage Manager Victoria Vaughan, assistant director of opera theater; Managing Director and Technical Director Michael Louis Grube, associate professor of theater; Set Designer Mroczek, lecturer in theater; Costume Designer Flaharty, associate professor of theater; Sound Engineer and Lighting Designer Jen Groseth, lecturer in theater; and Assistant Stage Manager Barbara Paterson ’05.

Jeannette Sorrell (Guest Conductor) brings to the stage an unusual background as both orchestral conductor and early music performer. As a harpsichordist, she studied with Lisa Crawford and Gustav Leonhardt. Upon receiving an Artist Diploma from Oberlin Conservatory in 1990, she was immediately invited to join the faculty of the Oberlin Baroque Performance Institute, where she taught until 1994. As a conductor, she studied at the Tanglewood Music Festival with Roger Norrington and Leonard Bernstein, at Oberlin with Robert Spano, and at the Aspen Music Festival. Her 1990 performance of Schubert's Unfinished Symphony with the Oberlin Conservatory Orchestra was broadcast by NPR as one of the "outstanding performances of the year." Sorrell founded Apollo's Fire in 1992 and together they have received numerous awards, including the 1995 Noah Greenberg Award from the American Musicological Society, given for an outstanding project involving the collaboration of scholars and performers, and the 1998 Northern Ohio Live Achievement Award for Classical Music.

Jonathon Field (Director) has directed over 90 productions throughout the United States and is becoming one of America’s most sought-after stage directors. He has directed touring productions for the Lyric Opera of Chicago of Trouble in Tahiti, Gianni Schicchi, The Old Maid and the Thief, and The Spanish Hour. For San Francisco Opera’s Western Opera Theatre he directed La Cenerentola and Die Fledermaus and for Seattle Opera, an updated version of La Bohème. In San Francisco he has also directed Tchaikovsky’s Eugene Onegin and Mussorgsky’s Boris Godunov in the original Russian. Over the past 10 years, he has directed 10 productions for the Arizona Opera, being deemed by the press “their most perceptive stage director.” Since coming to the Oberlin Conservatory of Music in 1997, he has directed Carmen, Slow Dusk, The Old Maid and the Thief, Roméo et Juliette, Così fan Tutte, Manon, Don Giovanni, Coyote Tales, La Cenerentola, Die Fledermaus, The Rake’s Progress, and The Bartered Bride. As artistic director of Lyric Opera Cleveland, Field directed the 2002 productions of I Was Looking at the Ceiling and Then I Saw the Sky, and Don Giovanni, which was nominated for the 2002 Northern Ohio Live Award of Achievement in classical music/opera. This season Mr. Field will direct Die Fledermaus (opening June 18th) and The Elixir of Love (opening July 30th)


UPCOMING HALL AUDITORIUM EVENTS

ACTS OF PASSION: New Dance Works by Oberlin Faculty and Guest Artists
8 p.m. Friday & Saturday, April 11 & 12; Hall Auditorium
THE MERCHANT OF VENICE, by William Shakespeare
8 p.m. Friday & Saturday, May 2 & 3; 2 p.m., Sunday, May 4; Hall Auditorium; Paul Moser, Director