FIELD
EDITIONS
(Click
on covers for further information)
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HIGH
LONESOME:
On the Poetry
of Charles Wright
(edited by Adam Giannelli)
This updating of our previous
title, The Point Where All Things Meet, which
Tom Andrews edited in 1994, selects from
the contents of that earlier book and adds
many new essays that have appeared in the
interim. The result is a complex and generous
survey of Charles Wright's "trilogy
of trilogies," the sweeping project
encompassed in the selected volumes comprised
by Country Music (1982), The
World of the Ten Thousand Things (1990), and Negative
Blue (2000).
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A FIELD GUIDE TO CONTEMPORARY POETRY AND POETICS
(edited by Stuart Friebert, David Walker,
& David Young)
One of the hallmarks of
FIELD magazine has always been its attention
to what poets have to say about poetry. Many
of these essays--by William Stafford, Denise
Levertov, Gary Snyder, Adrienne Rich, Donald
Hall, Robert Bly, and Sandra McPherson, among
others--have become classics. This revised
and expanded collection of essays from the
magazine provides a rich and stimulating
perspective on the state of contemporary
poetry, as seen through the eyes of the poets
themselves.
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MODELS OF THE UNIVERSE:
An Anthology of
the Prose Poem
(edited
by Stuart Friebert & David
Young)
Here at last is a comprehensive
anthology of one of the world's most fascinating
literary hybrids. This strange sub-genre encompasses
the history of modern poetry, from its beginnings
in romanticism (Bertrand, Turgenev, Baudelaire),
its adolescence in Symbolism (Mallarme, Rimbaud,
Trakl), its maturity in high modernism (Stein,
Williams, Kafka, Montale, Follain, Char, Vallejo,
H.D., and others), and its middle age in post-modernism
(Cortazar, Bishop, Ashbery, Simic, Edson, Bly...)
up to the present.
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