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Professor
of Composition and Music Theory Randolph Coleman has received
a fellowship from the Rockefeller Foundation to spend May 2002 at
the Foundation's Bellagio Study and Conference Center, located on
Lake Como, Italy. On sabbatical during the 2001-02 academic year,
Coleman will spend the month working primarily on a piece for voice
and large chamber ensemble for Oberlin's Contemporary Music Ensemble.
(The Center only accepts one composer in residence per month.)
Coleman's Portals . . . where birds fly still, commissioned
by eighth blackbird, received its world premiere in a performance
by the ensemble in October 2001 at the AKI Festival, the Cleveland
Art Museum's biennial celebration of new music. The ensemble also
performed the work in December at Classical Action Oberlin's AIDS
benefit.
Warren
Darcy, Professor of Music Theory, gave a presentation on Wagner's
opera Das Rheingold in July 2001 at the University of Bayreuth,
Germany, as part of a seminar, "Richard Wagner: Music and Drama,
Aesthetics and Politics," conducted by Professor William Kinderman
from the University of Victoria, British Columbia. Darcy has also
been invited to contribute a chapter to a book on Wagner's opera Parsifal,
to be edited by Kinderman and Katherine Syer.
Professor
of Jazz Studies and Double Bass Peter Dominguez was featured
on the Michael Pagan Trio's CD Tacitus Plus, released by Dynamic
Productions.
Dominguez performed with the Larry Nozers Quartet in May 2001 at the
Ferndale Jazz Festival in Detroit. In June, he participated in a memorial
"with more than 50 of the world's greatest bass players,"
held at Riverside Church in New York City for the renowned jazz bassist
Milton J. Hinton, who died in December 2000. Dominguez also performed
in July in "Scat: The Music and Life of Ella Fitzgerald"
at Cain Park, Cleveland.
In August, Dominguez was featured as principal bassist with the American
Sinfonietta at the Bellingham Music Festival in Washington and performed
throughout the state with guitarist Jerry Hahn and drummer Steve Houghton.
Professor of Piano Monique
Duphil was a featured soloist with the Hong Kong Sinfonietta in
May and June 2001 and presented recitals and master classes in Beijing
and Hong Kong. Duphil then traveled to South America in June and July
to perform with the Maracaibo Symphony Orchestra, the Miranda Philharmonic,
and the Simon Bolivar Symphony Orchestra. The appearances included
chamber music performances and solo recitals. She returned to Oberlin
in July where she gave a solo recital and master class at the Oberlin
Conservatory Piano Festival.
In August, Duphil participated in chamber music performances at the
Bard Festival held at Bard College in Annandale-on-Hudson, New York.
She performed in September in the Oberlin Faculty Chamber Music Series
and in October with the Amici Trio at Stan Hywet Hall in Akron, Ohio,
and was a soloist with the Oberlin Chamber Orchestra, performing Ravel's
Piano Concerto in G major.
Duphil's recording of "24 Preludes for Piano" by Claude
Debussy was also released in August by Eclectra.
Associate
Professor of Music Education Joanne Erwin conducted faculty
and student orchestras in June 2001 for the Capital University Suzuki
Institute in Columbus, Ohio. She presented a workshop, "Singing
Strings: Using a Kodaly Approach in String Instruction," in September
at the Midwest Kodaly Educators Conference in Cleveland. The presentation
was based on research conducted in Finland with violin professor Geza
Szilvay, Principal of the East Helsinki Institute.
Assistant
Professor of Choral Conducting Hugh Floyd served in March 2001
as guest conductor of the South Carolina All-State Women's Chorus.
During May, Floyd served as adjudicator for choral festivals sponsored
by the Michigan State Vocal Association, held in Jackson and Mt. Pleasant,
Mich. Also in May, he was an adjudicator for the Festival of Choirs,
sponsored by the University of Missouri-Kansas City Conservatory of
Music.
Floyd conducted the Interlochen High School Choirs in July 2001 in
a performance of Bach's Cantata no. 106 and Britten's Ceremony
of Carols, featuring harpist Lynn Aspnes. He also prepared the
Interlochen Festival Choir for a performance of Orff's Carmina
Burana, conducted by Timothy Russell, Director of Orchestral Activities
at Arizona State University.
In July Floyd conducted performances of Gilbert and Sullivan's Pirates
of Penzance with a cast of 120 students and the World Youth Symphony
Orchestra at the Interlochen Arts Camp in Interlochen, Mich.
Professor
of Violin Taras Gabora traveled to Genoa, Italy, to represent
the US on the Paganini International Violin Competition jury held
Septem-ber 28 to October 7, 2001. Other jury members were from Belgium,
Germany, Italy, Japan, Poland, Slovenia, and Switzerland.
Jody
Kerchner, Assistant Professor of Music Education, presented "Building
a Community Choral Program" in May 2001 at Mt. Lake General Music
Colloquium, Mt. Lake, Va.
Her recent publications include: "Modeling the Professional Life"
in the Fall 2001 Journal of Music Teacher Education; "Children's
Verbal, Visual, and Kinesthetic Responses: Insight into their Music
Listening Experience," in the Fall 2001 Bulletin for the Council
of Research in Music Education, no. 146; and "Incorporating
the National Standards into a Band Rehearsal" in Teaching
Music, August 2001.
Several
articles by Professor of Music Education John Knight appeared in The
Instrumentalist in 2001. They included "My Second Chance"
(June); "A Gathering of Composers for Middle School Band"
(July); "Copland's 'Outdoor Overture': One Piece for Two Ensembles"
(August); "Teaching Wisdom" (September); and a review of
Paavo Jarvi and the Cincinnati Symphony Orchestra's CD of Berlioz's
Symphonie fantastique and "Love Scene" from Romeo
et Juliette (October).
Knight conducted the Oberlin College Community Winds in May 2001 and
was featured as a guest conductor in July at the Great Works Symphonic
Band recording session, resulting in a CD, Great Works for Band.
Professor of Ethnomusicology
Roderic Knight wrote on the music of Gambia and the Kora, a
21-string harp played by Gambia's Mandinka people, in the New Grove
Dictionary of Music and Musicians, Second Edition, and on the
Kora in Musik in Geschichte und Gegenwart. Knight also served
as guest editor for the Fall/Winter 2000-01 "Tribal Music of
India" issue of Asian Music, writing the introduction
and an article, "The Bana, Epic Fiddle of Central India."
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