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The
Last Word |
Confessions
of the Casually Impaired
by Peter Nicholson '91
photos by Aaron Green
I
spent my five years as an Oberlin student woefully overdressed.
I arrived that way in the fall of 1986, the product of a
preppy metropolitan suburb where appearances mattered, even
on weekends.
The
high-school wardrobe I imported to Oberlin was devoid of
standard student clothing: ripped jeans, faded t-shirts,
oversized sweatshirts, worn-out sneakers. Always neatly
groomed, I wore corduroy pants, button-down shirts, shoes
and socks to match--formalwear by campus fashion standards.
Rarely dressed otherwise, my appearance tended to set me
apart, although less so in the Conservatory, where there
were, well, voice majors with whom to blend in. Nevertheless,
I was married to my wardrobe, it was me and I, it. I couldn't
imagine changing my ways, and I didn't.
And
I haven't, not in the ten years since graduating, and this
has become a point of personal concern. A comment from my
housemate, Jan, a few months ago first raised my awareness.
"You're always so nicely dressed, and you work at home!"
True, I hadn't seen anyone that day and yet I was wearing
slacks and an oxford shirt. I could have added a jacket
and tie in a second and been out the door to the opera.
My clothing style had become rigid. How had I become trapped
so young?
The
next morning I stood before my closet determined to dress
down. Well, I tried. And failed. Presenting myself to Jan
that evening, she just rolled her eyes. "That's about as
casual as you can get, isn't it?" Ashamed, I slunk back
into my room, filled with anxiety. What was wrong with me?
I
blame my parents. They blame each other, which is only natural,
as they're both guilty. If he were gay, my father would
be what we call a "clothes queen." His wardrobe is his supreme
indulgence, or at least, his most consistent one. My friends
tend to reel back in horror when I tell them that my mother
never allowed my older brother or me to go to school in
jeans. She didn't consider them "appropriate," despite what
the vast majority of other parents believed. The nicer the
merchandise she could get us to wear, the better. The minute
my brother landed at college, he threw off the cloak of
oppression. Going casual is no problem for him; it is de
rigueur. So the ideal modeled, literally and figuratively,
by my father was supported and encouraged by my mother (who
is no slouch, either). My brother rebelled before I could,
and I didn't want to appear to be imitating
him, so what was I to do?
I
am, I have come to realize, "casually impaired." Not only
do I own few clothes most people would consider casual,
I don't feel comfortable looking as though I just got up
and threw something, anything, on. I've consulted my friend
and Oberlin classmate Celise for help. We've been hanging
out recently, both looking for the man of our dreams. She
listened patiently to my self-diagnosis with a grin, as
if to say, "Finally! I never thought you'd come around!"
Then we went shopping. I knew the minute we walked into
Banana Republic (her choice) that I might have a problem.
If I am going to shop at a large chain, this is the one
I turn to, and have, too many times. The clothes can be
a bit pricey, but they almost always look good, more dressy
than not. That's when I had another realization: as much
as my friends chide me, they're used to my being this way,
perhaps even a bit invested. After so many years of knowing
a person one way, we often don't want them to change, however
insignificantly.
I've
started to pursue my own self-help plan. As with any 12-step
program, admitting one has a problem is the first thing
to do. Mine goes deep. But I've arrived at a point in
my life whereby I don't want to feel impaired like this,
unable to face the world in anything less than khakis
and a polo shirt. For a long while, clothes were my shield
from fears stirred up by childhood nightmares of suddenly
standing naked, exposed, and embarrassed in front of a
large group of people, usually my peers. Yet dressy clothes
also assert a certain superiority, however shallow, and
this can be distancing. I don't need the security anymore.
Although I'm uncertain if I'll ever be able to completely
break free, or achieve that "just-put-on-whatever-was-around"
look that I envy for the way it conveys spontaneity and
self-ease. I fear I'll look fake.
I've
been studying catalogues from places like Eddie Bauer,
those poster size pictures in stores like Abercrombie
& Fitch, and eyeing the racks at Old Navy for ideas.
As a gay man, I think I'll always be prone to overcompensating,
my reaction to being different. But I'm trying, watching
people on the street, observing what might work (e.g.
shirt untucked and hanging out below the sweater) and
what is totally out of the question (e.g. tie-dye). "Baby
steps" as a friend of mine likes to say, a gradual evolution
toward freeing myself, a bit, from the confines of my
past. Just put the iron down, I tell myself, let the wrinkles
be.
Peter
Nicholson is a writer and designer. He can be reached at
psn68@ix.netcom.com
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