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Students
Organize Black Musicians' Guild
The Black Musicians' Guild, a new Conservatory organization,
was founded by Martha Newland '03 and Ivy Newman '04, (co-presidents)
to bring African-American musicians to Oberlin for free, public
lectures, master classes, and performances. The Guild got underway
with a November 2001 appearance by Michael Morgan '79, Music
Director of Oakland East Bay Symphony.
Widely regarded as an expert on the importance of arts education
and minority access to the arts, Morgan focused his Oberlin
forum on |
Michael
Morgan's master class. |
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opportunities
and challenges in the music business.
While an Oberlin student, Morgan spent a summer at the Berkshire
Music Center at Tanglewood, working with such conducting greats
as Leonard Bernstein and Seiji Ozawa. Along with his Oakland East
Bay Symphony duties, Morgan serves as Artistic Director of the
Oakland Youth Orchestra, Music Director of the Sacramento Philhar-monic,
and Music Director of Festival Opera in Walnut Creek. He was honored
in 2000 by CityFlight Newsmagazine as one of the ten most
influential African Americans in the Bay Area.
Composer Anthony Kelley, Assis-tant Professor of Composition at
Duke University was hosted by the Guild in December at its second
forum. His lecture, "The Undeniable Influence of African
and African-American Music on Art Music," investigated the
music of composers such as Adams, Barber, Bartok, Dvorak, and
Stravinsky in relation to elements of African and African-American
approaches to music making.
The Guild's other board members are Shinnerrie Jackson '03, secretary
and Frederick Jackson '02, treasurer. The Guild was formed with
the support of Wendell Logan, Professor of African-American Music
and Director of Oberlin's Jazz Studies Program; Jeffrey Mumford,
Assistant Professor of Composition; and Kwame Willingham, African-American
Com-munity Coordinator Intern in Oberlin's Multicultural Resource
Center.
- David R. Daniels '84
Arias
& Pixels: Oberlin's Online Opera Resource Guide
After Victoria Vaughan, Assistant Director of Opera Theater, noticed
that students were having trouble finding resources to explain
character roles or examine productions from a historical perspective,
she came to the rescue by developing an online opera resource
guide.
"My students have a good knowledge of music history, but
they need to have a broad understanding of art history, translation,
and costumes," says Vaughan.
Collaborator Kathy Abromeit, Conservatory Public Services Librarian,
not only helped compile a resource list (the backbone of the guide)
but is also co-teaching two classes each semester. Using the Conservatory
library's new electronic classroom, students in Vaughan and Abromeit's
class are learning how to search for books, to use journals and
multi-media, and analyze performances.
Designed by Eric Einhorn '02 and Leslie Roberts '01, the development
of the website (available to anyone interested in professional
development) was funded by a grant from the Andrew W. Mellon Foundation.
Sue Kropp '99
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